Reviews – The Oarsman

Halloween or Christmas: Which Fits Jack Skellington More?

Kimberly Buelna, Reporter
December 24, 2021

Netflix’s ‘F is for Family’ Goes Out With A Bang

Eric Lee, Editor-In-Chief
December 16, 2021

Review: “Still Over It” By Summer Walker

Kenza Walkowiak-Chevalier, Reporter
November 19, 2021

Review: Eternals Pushes the Boundaries of the MCU

T Lopez, Opinion Editor
November 18, 2021

Review: Oscar Nominated Nomadland Is Paving the Way for Personal Cinematic Films

Julian Lopez-Albany, Reporter
April 22, 2021

Review: “Pose” Celebrates Ballroom Scene in LQBTQ+ Community

Jessica Trujillo-Hernandez, Reporter
February 26, 2021

Dorian Electra: The Most Progressive Artist You’ve Never Heard

Julian Lopez-Albany, Reporter
February 19, 2021

Review: Xiu Xiu’s New Single and What it Means for the Band

Antoine Chanfreau, Reporter
February 12, 2021

The Meaning Behind Disney’s Newest Release: Soul

Annette Vaipulu and Arely Ocampo Bartolo
February 1, 2021

Review: Should Selena the Series Have Even Happened?

Arely Ocampo Bartolo, Editor
January 27, 2021

Album Review: Oneohtrix Point Never Retreads Old Ground in New Ways on “Magic Oneohtrix Point Never”

Antoine Chanfreau, Reporter
December 2, 2020

Album Review: Ariana Grande’s Positions

Arely Ocampo Bartolo, Reporter
December 1, 2020

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